Crafted with
curiosity.

My work in 3D started with a dream of making films. In 2019 I was a student set on becoming a cinematographer: telling stories through light, composition and camera movement.

After an unsuccessful entrance exam at a film academy, and without the money for a professional camera, I looked for another way to use what I knew about images. In 2020 I found it in 3D motion graphics, where everything I loved about cinema had a new home: deliberate editing, shaped lighting, elegant camera moves and the freedom to build the whole world from scratch.

Three years in a studio producing advertising creatives for mobile games taught me speed, composition and the full path from an idea to finished visuals. Since then I have focused on product CGI, photoreal stills and cinematic motion, and on real-time assets: optimized GLB/glTF models that developers can drop into configurators, WebGL scenes and AR.

I collaborate with brands and creative teams on product visuals where technical accuracy and art direction have to work together: beauty, fragrance, drinkware, jewelry, automotive and consumer tech. The second half of my practice is real time: environments, modular characters and web-ready product assets, built together with the developers who will integrate them.

I am most at home in long collaborations, where lighting, movement and design can be explored in depth and the visuals end up as considered as the products they represent.